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Smacking I.T. on the back of the head!
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Reporting for Introspection

Feb21
by pHil Rittenhouse on February 21, 2013 at 6:07 am
Posted In: Blog

Who’s that Girl?

A brief look at the what & why of Penny Dreadful

I joked yesterday in a comment reply that I’d love to see a treatise written on Penny’s personality someday. Yes, I know how ridiculous an idea that is. But that made me think: I know who she is (at least purportedly), but does the strip convey that properly? So, in an open call for comment, here is the low-down on how I arrived at Penny’s character in the years leading up to the strip. I’ll leave it to my readers to judge the strip’s success in conveying it.

  • Penny was intended to be disadvantaged in several areas.
    • Penny’s a girl.
      • In corporate America – well, not just there – women generally are disadvantaged.
      • Younger folk are as well. As a teenage girl, Penny starts out on the downside of both.
    • Penny’s a nerdy girl.
      • Let’s face it – going against stereotypes is a pre-requisite, right?
      • I know, there are LOTS of nerdy girls these days. But that doesn’t make it the social norm.
    • Penny’s an expatriate.
      • Having been an expatriate (in Japan), I’m well acquainted with the obstacles this engenders. Yet, I didn’t want to struggle with foreign-language related difficulties with the character, so Penny has been a Brit for the last several rev’s.
      • Further, Penny doesn’t appear to have any familial support framework. We don’t even know if she’s got family. Well, I know, but I’m not saying. 😉
    • Penny’s a ginger.
      • One negative stereotype I’ve never understood is the British prejudice against red-headedness. But, I’m not above using it.
      • Also, gingers are often portrayed as having a fiery temper and a bristly demeanor, which kinda fits Penny, I think.
    • Penny’s a Scouser.
      • I’ve read a fair bit that suggests the Englishman at large views the Scouse accent as low-brow and undesirable, much like we yanks often generalize the “deep southern” accent in the US. (Personally, I love the sound of the Scouse accent. But then, I’m married to a Southerner…)
      • Further, I’ve heard anecdotal evidence that the Liverpool area is economically depressed in comparison to other areas in England.
  • Despite all this, Penny still comes out on top. That’s the intent, anyway.
  • Penny’s not a nice person. In fact, she’s pretty hateful.
    • Johnny is the embodiment of all that’s good within Penny. And it ain’t much.
    • I suspect that’s why he’s such a lightweight little guy, and also why we can see through him.
  • Yet, somehow, we still like her. This is probably largely due to the fact that she gets to act in ways we often wish we could…
  • Penny has a soft spot for the disadvantaged.
    • I have to say, this one surprised me. That sounds weird, I know. But, I’ve noticed in her treatment of the Bobs that she’s almost never abusive of them as she is many of her other co-workers.
    • Maybe it’s because I ended up liking the Bobs and have never treated them in the way the original strip concept planned for me to do. But I think it’s indicative of something in Penny’s true nature.

So, whaddya think – is that Penny? Or has the strip totally misrepresented her?

Ma Vie en Brick

A self-portrait atop my desk

Goofing around a bit while rendering the latest batch of strips… Not to be outdone by my super-ego’s analysis of Penny, my id & ego teamed up on a self-portrait minifig diorama. It’s kinda like all the various aspects of me!

Ma Vie en Brick

4 Comments

Birthday Musings

Feb15
by pHil Rittenhouse on February 15, 2013 at 5:13 am
Posted In: Blog

Taking a Breather

Weekday morning, pre-dawn hours. A lone figure sits in a darkened office space, lit from below by a pair of LCD computer screens, one the rich blue of the Microsoft pre-installation environment, the other a subdued white of a word-processing document.

Yep! I’m at the local Microsoft office, re-building my main development PC. Three weeks to the day after the HDD failed on my personal MacBook Pro, a similar fate befell my main work PC. Almost thirty years fiddling with computers and never had a hard drive die on me, until two this month. 🙁

So, since it’s probably inappropriate to bring my Mac into the office to work on strips during the network-boot rebuild, I guess I can use my Surface to blog!

Beginner’s (or sloppy/lazy person’s, like me) Lettering Tip!

If you do comic lettering with computers, you may use a font that has both serif and sans-serif versions of the letter “I”. As all good letterers know (I didn’t learn/realize it until the past year or so – I’m not a good letterer 😉 ) the serif I is reserved for the personal pronoun “I went to the cinema”. The “i” in “cinema” is sans-serif in an all-cap comic font.

I write my scripts very haphazardly – anywhere and anytime an idea hits me, and then I compile them in an Excel spreadsheet. Weird method, but it works for me. Sometimes I use sentence case (MS Word and my phone enforce this), sometimes all lower case (if I’m using Notepad or typing right into Excel). When I go to add the lettering to a strip in Photoshop, I use the following process to get the serif I’s in only the right places.

  • Copy the script and paste into MS Word or the free Notepad++.
  • Convert the whole script to lower case.
    • In Word, use the “Change Case”, found on the Ribbon.
    • In Notepad++, just select all the text and hit Control-U on the keyboard.
  • Do a global find and replace for any I’s followed by spaces. (Unless your script involves someone discussing their bikini, you are fairly safe.) The find and replace parameters should be case-sensitive, and replace the lower-case “I ” with the upper-case “I “.
  • Repeat the case-sensitive find and replace with any I’s followed by apostrophes.
  • Now your text is ready to paste into Photoshop (or whatever) in your chosen lettering font! Only the appropriate I’s will have serifs.

Nostalgia

It’s funny when something causes you to look back on your life and you can see in retrospect a singular event that caused a profound shift in the direction of your life.

A co-worker who’s been at Microsoft way longer than me gave me a gift this week that represented such an event for me. Up until 2000 or 2001, my role in IT was that of a graphic designer, which was the natural career progression for me from having been a research chemist (story for another day).

Around that timeframe, Microsoft bought a small company called NCompass, to acquire their product, Resolution (news release). Resolution was an early-days web content management solution, which Microsoft rebranded as Content Management Server 2001. (Funny side note – I just discovered that their old site, ncompass.com, now redirects to Microsoft’s SharePoint site. Guess it ended up at the same place I did! 🙂 )

The company I worked for at the time had just bought Resolution 4.0 before the acquisition, so when we started using the product, it was by then called MCMS 2001. I was the web designer selected to do the UI/presentation parts of the CMS implementation, and along the way, I morphed into a web developer, ultimately became the CMS/SharePoint guy for the company, and eventually applied at Microsoft and got hired.

Sean found the internal MS “airlift” training disk for MCMS 2001, and gave it to me knowing my personal history with the product. If not for MCMS 2001, I doubt I’d be at Microsoft today! What a great birthday gift. Thanks, Sean!

4 Comments

Major Change at Drop the Cow!

Dec14
by pHil Rittenhouse on December 14, 2012 at 7:26 pm
Posted In: Blog

I gave the site a facelift for Christmas!

I decided I had had enough and wanted a new look for the site. No more standard ComicPress for me! I took the UI design I developed for my abortive attempt at creating a homebrew CMS, and created a custom WordPress/ComicPress child theme – I call it “Cow Drops”. Let the jokes begin… 🙂

If things look a little wonky, you may need to refresh pages or clear your browser cache to get the full effect – Enjoy!

 Comment 

Drawn and Quartered

Dec06
by pHil Rittenhouse on December 6, 2012 at 3:27 pm
Posted In: Blog

A big part of writing is cutting out the unnecessary bits. That’s why I deleted my wordy intro to this post… 😉

I love to write. I’ve written a bunch of stuff over the years. Four entire comic mini-series that I never completed illustrating. Three sci-fi novels that I never finished (despite coming painfully close on the third). Even the storylines for two computer video games that I actually did some initial programming on. DtC in it’s current form is the third “start” at a strip-style cartoon. And of all this, it’s the only thing you could say I actually carried through on.

Here’s the weird part – all of these efforts (save the first novel and one video game) featured Penelope as the protagonist. Except in that seminal comic series, her name has always been Penelope Dreadful (it was originally “Rigby”), and she’s always been some variant on the same character. Why? I’ll leave that to the psychiatrists. Some visual representations of my prior Pennies can be found here: dropthecow.com/backstage/conception.

So, when I decided to see if I could still draw at all after years of neglect, I contemplated a few ways to work it into the story of Penny, Johnny, the Bobs, and the rest of the crew. What I came up with is the current storyline wherein Penny is introduced to the knowledge of an infinite number of worlds in which she exists, leading different lives – that is, the storied worlds inside my own brain where she is the common thread. In most of these, she’s a hacker. In some a comic artist, in some a musician. In others, a simple chibi-manga cartoon character. But always Penny.

To that end, each of these strips was drawn in a different style. Hopefully it’ll all make sense as we go along…

Enjoy! I did. So much so that I’m thinking of a limited edition print portfolio for the two-year anniversary. 😀

 Comment 

Status Retort

Dec03
by pHil Rittenhouse on December 3, 2012 at 7:54 am
Posted In: Blog

Where we find ourselves

Today begins the hand-drawn section of our tour… Although I never really forgot, it quickly became re-apparent why I washed out as a comic artist nigh two decades ago. I draw really slowly. Of course with practice comes speed, but I never have really devoted enough time to it to become proficient. That was quite clear as I drew these two weeks’ of strips.

The Good

It helped that I was able to devote a whole week to each one, instead of a normal 4-6 strips per week rate. It also helped a ton that I inked on the computer, using the old HP tablet. Manga Studio is pretty awesome, it turns out.

The Bad

One thing I don’t like about inking digitally is that I don’t have the final output I can hold in my hand, but rather just the scribbly, smudgy pencil drawings. If I were cartooning by hand as a regular thing, I would have to evaluate that bit – I imagine it would be nice to have physical output to serve as a legacy, or to sell originals, or whatever.

Also on the bad side is the HP 2730P tablet itself. Don’t get me wrong, it worked really well, but there were some downsides. The pen calibration was never quite there, and in some parts of the screen, the cursor was as much as a quarter-inch off, no matter how much I calibrated. I minimized the effect using Manga Studio’s ability to rotate the canvas (rather than rotating the computer on my lap board) which was a Godsend.

The Ugly

Most of the 6 strips turned out fairly well. However, it’s not hard for me to find some aspect of each with which I’m less than satisfied. One strip, I found myself particularly displeased with. More on that on its day, I’m sure. 🙂

1 Comment
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